Ryan's poems are brief, reflective, and profoundly and humorously aware of both the limitless cosmos and our limited lives, as illustrated in "The Best of It," in which she writes, "However carved up/or pared down we get/we keep on making/the best of it."

I've always felt that the ocean makes you feel small, but think big. The poems in this collection do the same.

Library Journal says:
These poems are marked with the powerful but idiosyncratic influence of Marianne Moore, whose unique style is echoed in Ryan's elliptically compressed syntax and high-toned ironic stance: "There is such a thing as/too much tolerance/for unpleasant situations,/a time when the gentle/teasing out of threads/ceases to be pleasing/to a woman born for conquest."

But unlike Moore, who knew how to modulate her astringency, Ryan's cramped syllabics have a monotonous density that too often mistakes sound for sense: "Green was the first color/to get out of the water,/leaving the later blue/and preceding yellow/which had to follow/because of fall." Occasionally, there is a clever charm in her descriptions. A garden snake is "born sans puff or rattle/he counts on persiflage/in battle". Overall, however, these poems are derivative and lacking in substance. Not recommended.

A Note from Flashlight Worthy HQ:
While we try to only list truly great books, we do have to list the occasional clunker when we're presenting a comprehensive bibliography.

64 brief, intelligent poems full of life and color. If you like both traditional elements in your poetry as well as experimentation, this book of big little poems is for you.

Clear, concise, dense and quirkily beautiful — those are just some of the adjectives to describe the poems in this fifth collection from the author.